1. |
Canto A
01:29
|
|
||
2. |
Rima 1
01:00
|
|
||
3. |
Rima 2
00:55
|
|
||
4. |
Rima 3
00:42
|
|
||
5. |
Rima 4
03:47
|
|
||
6. |
Rima 5
00:55
|
|
||
7. |
Rima 6
01:06
|
|
||
8. |
Time-Image
01:03
|
|
||
9. |
Canto B
02:41
|
|
||
10. |
Aiôn 0
03:41
|
|||
11. |
Aiôn 1
01:56
|
|||
12. |
Aiôn 2
01:50
|
|||
13. |
Aiôn 3
01:11
|
|
||
14. |
Aiôn 4
03:11
|
|
||
15. |
Aiôn 5
01:29
|
|
||
16. |
Aiôn 6
02:39
|
|
||
17. |
Aiôn 7
01:47
|
|
||
18. |
Aiôn 8
00:53
|
|
||
19. |
Aiôn 9
01:09
|
|
||
20. |
Movement-Image
01:24
|
|
||
21. |
Canto C
01:28
|
|
||
22. |
Drip 0
01:00
|
|
||
23. |
Drip 1
01:24
|
|
||
24. |
Drip 2
00:41
|
|
||
25. |
Drip 3
00:52
|
|
||
26. |
Drip 4
00:59
|
|
||
27. |
Drip 5
01:40
|
|
||
28. |
Drip 6
02:03
|
|
||
29. |
Drip 7
01:22
|
|
||
30. |
Drip 8
02:41
|
|
||
31. |
Drip 9
01:23
|
|
||
32. |
Recollection-image
02:20
|
|
Porya Hatami Sanandaj, Iran
experimental sound artist based in Sanandaj, Iran.
If you like Porya Hatami, you may also like:
supported by 117 fans who also own “Aggregatum”
an album that focuses on blasts and releases, patterns and less-so-pattern-y compositional moments. The movement from pattern-y rhythmic pulsing, even danceable? to rich, drone-y, expansive, even noisey? are idiosyncratic, natural and fun. Nothing ever builds up too much or lays too strong of a foundation, so stops and shifts are more than allowed and when a shift does occur there's a safety in knowing it will change soon. Amazingly recorded, great sounds.
go to album
supported by 116 fans who also own “Aggregatum”
come get lost in tactile, polytemporal worlds
go to album
Less a solo act than a one-man megalith, Khôra builds impressive experimental soundscapes from modular synths, flutes, harps, and more.
go to album
featured on Bandcamp Radio Feb 20, 2018
go to album
Tres Aeropuertos Juntos
by XNIDA
Argentinian producer XNIDA makes dense experimental techno that burbles with nervous modular synth lines and churns with industrial rhythms.
go to album
supported by 114 fans who also own “Aggregatum”
An ascetic (though mighty) sound palette, works as a canvas for an unrivaled lecture about rhythm generation & composition in electronic music. Straight from the outermost post and beyond the explored areas of this micro universe, from where Yves De Mey sends us back his findings. Now I’m trying to remember what was I doing back in September that prevented me from grabbing this instantly.
go to album
